
The first study in a new series exploring the relationship (and experimental synthesis) between analogue and digital, tangible and virtual, old and modern, real and fantasy.
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Hermitage Veterinary Hospital offers a variety of services to pet-owners in the Edmonton area.
Hermitage Veterinary Hospital’s website was outdated and in desperate need a fresh new design to bring them into 2011. Highlights include:

After way too long working on this, sometimes weeks in-between sessions, I have completed this print! It is a limited edition of 33, hand-printed on handmade Japanese Hosho paper. It is archival, and printed with waterproof oil-based inks. It is a 4 colour print that required four separate blocks to be carved. It was then lovingly and painstakingly hand-burnished to transfer the ink for each colour. A press was not used.
- Limited Edition 4 Colour Hand-Pulled Linocut Relief Print, Paper is 9.5″x12″ and image area is 5.5″x8″
This piece is available for purchase from my Etsy shop here.
Each piece will come with a certificate of authenticity signed by the artist, me.
Here is a walkthrough video I made to show the making of this piece:
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I’ve been with my lovely wife for a while now, and for one reason or another I have never done any art of her as the subject. For shame! This digital painting of her is meant fix that situation.
If I only captured a fraction of her beauty, I will consider it a success. This is the first of hopefully many more portraits to come ![]()

This is a mixed media piece, that started it’s life a a sketch in my sketchbook, and then was painted digitally.
- Digital, 16″ x 16″ @300dpi ]]>This started out with me being in a mood where I wanted to create something dark and sinister. Originally, it was going to be a vampire image… but it soon found it’s way towards a new subject… the Crow / Common Raven.
I then started to do a bit of research, and found a lot of inspiration from “The Raven” by Edgar Allan Poe (this piece is named after the words the Raven mutters in that poem), as well as learning the many depictions of the Crow or Raven in culture and mythology. The movie “The Crow” also served as inspiration along the same lines. Generally, the Crow or Raven is seen as a bird of ill omen, and is often associated with death, or are even seen as messengers or “go-betweens” from the afterlife and our living world (as Edgar Allan Poe’s “The Raven” eludes). The lantern sort of serves as a contrast or counterpoint to that concept.
I was very honored to receive a Daily Deviation for this piece over at deviantART, which is quite a rare thing to get. Very nice indeed.
- Digital, 16″ x 40″ @300dpi ]]>
This is the first painting like this I have ever attempted. I was inspired by some of the great sci-fi concept artists around on deviantART like Andree Wallin, Tarrzan, among others.
This is a combination of many things. JacksonPollock.org, Alchemy, Painter, Photoshop, many custom brushes from various places (some borrowed, some made), initial approach inspired by leventep. The main background started with a photo from my honeymoon, which I then destroyed and altered beyond recognition… to start finding abstract shapes within the resulting chaos. Not meant to be completely realistic.
- Digital, 16″ x 40″ @300dpi ]]>I listened to a lot of Radiohead, Porcupine Tree, Opeth, and Pink Floyd to help get my head in a very loose and abstract place… a very “stream of consciousness” approach if you will ![]()
- all are Digital, 16″ x 16″ @300dpi
Universe01
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]]>While the organization is open-minded in terms of content/subject (as long as it’s not blatantly offensive), their regulations regarding format were in need of updating (in my opinion). Specifically the acceptance of digitally created (or partially digitally created) art. In short, they didn’t accept digitally created art submissions for shows or competitions, across the board.
I’m not here to slam them in any way. Up until I came along, it seemed that the only art that came through the organization had been “traditional” media. You know, oil, acrylic, etc. In addition, many of the members are shall we say, more on the “senior” side of the age fence
So, I think it was really about not knowing any better and just not “getting” this relatively new medium. I found that many of them had very stereotyped, pre-concieved notions as to what digital art is. The biggest problem seemed to be understanding the medium. I figured if I could try to show them what digital art was they would have no choice but to accept it as art… with the same merit as any other medium. After all, digital is just another tool. Right? Well I think so anyway.
The preconceived notions that many seem to have (not just the members of this group), is that digitally created art isn’t “real art,” because “the computer created end result.” They think:
Well, I can’t disagree more. I was able to set up an opportunity to make a case for the acceptance of digital at one of our meetings. I prepared my case, and nervously presented it to the members. Here’s a condensed overview of some of the points I made. I am sharing this in the hopes that it may help others like me, if they find themselves in a similar situation.

Art created using Rubik's Cubes

Fountain by Marcel Duchamp

Jackson Pollock painting

The Tetons and the Snake River (1942), by Ansel Adams

Trent Reznor (Nine Inch Nails) in Studio
The concept seemed so simple and basic to me. I was amazed that I even had to make a case. But such is the world of organizational politics ![]()
What do you think? Is digitally created/modified art, still art? Does a high quality print of a digital painting deserve to be hanging on the same walls that the works of the “masters” hang on? I don’t see any reason why not. To say they don’t, is an insult to all the artists before us who paved the way for change, and pushed the boundaries of what “art” is, and the acceptance of that in the eyes of the public. That’s my opinion anyhow.
PS: I was successful in convincing the organization to accept digital art ![]()
- Doug Seidl
Here’s a couple of items to showcase some digital art possibilities today:
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Northern Bear Golf Club is a Jack Nicklaus Signature Course located in Sherwood Park, Alberta.
While Northern Bear was happy with the original design I did back in 2006, they needed a fresh new design to bring them into 2011. Highlights include: